SEASON FOUR
Episode 20: Till Death

Scenes from the DVD set's "Final Shooting Script"
that do not appear in the episode.

 

SCENE ONE

 
[GINA lunges for the tasseled PULLROPE beside the bed, but before she can reach it, it is flicked out of her reach by a deft blade. She shrieks and spins away.]
 

BACK to transcript.

 

SCENE TWO

 
MACLEOD - Why don't you just buy something to live in?

METHOS - Because I wouldn't live in a place Adam Pierson could afford.

[MacLeod stands at the table, sorting mail; bills, junk mail, bills, more junk.]

METHOS - Anything interesting?
 

BACK to transcript.

 

SCENE THREE

 
METHOS - Gluttons for punishment.

[MacLeod takes the invitation back.]

MACLEOD - [pointed] Madly in love.
 

BACK to transcript.

 

SCENE FOUR

This line was not in the original shooting script.

BACK to transcript.

 

SCENE FIVE

 
MACLEOD - Not for me.

[And OFF his face--]
 

BACK to transcript.

 

SCENE SIX

 
FITZCAIRN - Have to be bloody lucky to have a place like this.
 

BACK to transcript.

 

SCENE SEVEN

 
MACLEOD - [correcting] We'll have it back. [beat] Careful. There could be more than one entrance.

[He slips along the wall, keeping in the shadows, heading for an outbuilding. Gina follows, Fitz forced to take up the rear, annoyed at being outdone by MacLeod.]

FITZCAIRN - Trust me, I know what I'm doing.

[Fitzcairn steps on a garden shovel and makes a noise.]

MACLEOD - Will you be careful! You'll have the whole place down on us in a moment.

FITZCAIRN - Will you relax? They're all having supper.

[A GUARD in fine livery steps out.]

GUARD - Who goes there?

FITZCAIRN - The king of clubs.

[Fitzcairn uses the shovel to knock the man unconscious. They drop him into the shadows.]
 

BACK to transcript.

 

SCENE EIGHT

In the original shooting script, the scene begins inside the storeroom.

BACK to transcript.

 

SCENE NINE

 
ROBERT - Very well. Thieves.
 

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SCENE TEN

These lines (and actions) were not in the original shooting script.

BACK to transcript.

 

SCENE ELEVEN

 
FITZCAIRN - Oh, please. Lucky MacLeod was first. If it'd been me, you'd be a foot shorter by now.
 

BACK to transcript.

 

SCENE TWELVE

These lines were not in the original shooting script.

BACK to transcript.

 

SCENE THIRTEEN

These lines (and actions) were not in the original shooting script.

BACK to transcript.

 

SCENE FOURTEEN

This last little interplay between them was not in the original shooting script.

BACK to transcript.

 

SCENE FIFTEEN

This line/scene tag was not in the original shooting script.

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SCENE SIXTEEN

No musical instruments (classic or otherwise) are seen here, but in the original shooting script, the description of the set is: "Tables are set around a small dance area. A drum kit and electric guitars lean against amplifiers."

BACK to transcript.

 

SCENE SEVENTEEN

INT. HOTEL DE VALICOURT - MAIN RECEPTION HALL - 1796 - DAY

[Amidst the still arriving guests we find Fitzcairn ending a conversation with a beautiful young woman. In the background, SEAN BURNS and MacLeod are conversing with an attractive Immortal named CAROLYN.]

FITZCAIRN - Tonight, then... at midnight. [With a flourish and charm he kisses the young woman's hand.]

[CAROLYN, MACLEOD AND BURNS observe Fitz laying on the charm and are amused by it.]
 

BACK to transcript.

 

SCENE EIGHTEEN

 
MacLEOD - They had a lovely weekend at a country inn not long ago.

CAROLYN - Until he tried to sleep with me and the serving wench.

BURNS - At the same time?

[Carolyn nods as Fitzcairn approaches.]

FITZCAIRN - [to Carolyn] You look ravishing tonight.
 

BACK to transcript.

 

SCENE NINETEEN

INT. HOTEL DE VALICOURT - DRAWING ROOM - 1796 - DAY

[MacLeod is taking a glass of champagne from a tray as Fitzcairn enters, puffing on his curved meerschaum pipe as MacLeod waves away the smoke.]
 

BACK to transcript.

 

SCENE TWENTY

 
FITZCAIRN - [looking around] Is Connor coming?

MACLEOD - No. He heard you'd be here.

FITZCAIRN - That was all a misunderstanding.

MACLEOD - Oh, it wasn't you who told Selene that he was a rogue and he'd break her heart?

FITZCAIRN - I meant it as a compliment.
 

BACK to transcript.

 

SCENE TWENTY-ONE

These lines were not in the original shooting script.

BACK to transcript.

 

SCENE TWENTY-TWO

These lines as they ride away were not in the original shooting script.

BACK to transcript.

 

SCENE TWENTY-THREE

 
FITZCAIRN - The old days, eh, MacLeod? Steel against steel, and damn the odds.

[NEW ANGLE -- As two REVOLUTIONARIES arrive with HEAVY MUSKETS. They cock them, aiming at Fitz and MacLeod.]

FITZCAIRN - Oh-oh. [beat] MacLeod? You hold them a while.

MACLEOD - What are you going to do?

FITZCAIRN - Help Gina. There's a good lad, watch for the guns...

[FITZCAIRN races off. MacLeod calls after him.]

FITZCAIRN - Fitzcairn!

[Fitzcairn keeps riding. ONE OF THE MEN fires his musket, catching MACLEOD in the shoulder. The mob is closing in. MACLEOD is knocked from his horse. THE CROWD closes in. Suddenly FITZCAIRN races in from the other direction, his horse bursting through the crowd. He offers an arm and pulls up MacLeod behind him.]

FITZCAIRN - What would you do without me?

MACLEOD - I can only dream.

[They race off.]
 

BACK to transcript.

 

SCENE TWENTY-FOUR

EXT. HORSE CART - 1796 - DAY - TRAVELING

[As the cart slows to a stop on a quiet street -- Robert is rising groggily to his feet. The PRIEST throws his arms around him, points to Gina.]

PRIEST - We've been saved! That young lad is a hero!

[Robert turns to see the young lad -- GINA is at the reins, in her boots and breeches. She turns to Robert, smiling. Their eyes meet. True love.]

ROBERT - [proud] That lad is my wife.

[Robert kisses her hard on the mouth, to the Priest's astonishment.]

[FITZCAIRN AND MACLEOD ride up together.]
 

BACK to transcript.

 

SCENE TWENTY-FIVE

EXT. QUAI DE LA TOURNELLE - WALK AND TALK - DAY

[Methos buys some chestnuts from a street VENDOR, and he and MacLeod stroll along the river, heading for the barge.]

METHOS - Bad idea, MacLeod. Stay out of other people's domestic disputes. You live longer that way.

MACLEOD - You speaking from experience?

METHOS - Always. Rome, 34 A.D.... There was a senator and his wife and this slave boy...

MACLEOD - And now you're an old bachelor. I get it.

METHOS - Works for me.

MACLEOD - They're my friends. How can I let them throw away a three-hundred-year relationship? They're perfect together.

METHOS - That's what they said about Sonny and Cher. [beat] Love is magic, MacLeod. When it's gone, it's gone.

MACLEOD - I'm telling you it's not gone.

METHOS - [beat] And I'm telling you that if you get in the middle of this, whatever happens, they'll blame you.

[They get the BUZZ -- Robert is ahead on the barge gangway. He waves at MacLeod. MacLeod sighs.]

MACLEOD - I have to try.

METHOS - In that case... exit one old bachelor, stage left.

[Methos does a 180 and retraces his steps as Mac starts towards Robert.]
 

BACK to transcript.

 

SCENE TWENTY-SIX

In the original shooting script, this scene is listed as "EXT. BARGE - DAY".

BACK to transcript.

 

SCENE TWENTY-SEVEN

EXT. HOTEL - DAY

[Gina is watching as a BELLHOP takes her bags from a waiting limo. MacLeod is helping her with some small packages, trying to talk her out of it as he does.]
 

BACK to transcript.

 

SCENE TWENTY-EIGHT

This exchange was not in the original shooting script.

BACK to transcript.

 

SCENE TWENTY-NINE

The end of this scene was not in the original shooting script. These may be my most favorite ad libs of the whole series.

BACK to transcript.

 

SCENE THIRTY

 
MACLEOD - I think I'm going to have to kill you myself.

[Gina is laughing. Robert is starting to laugh with her. MacLeod starts to smile in spite of himself.]

MACLEOD - I had that coming. [beat] Fitz would have loved it.

[Gina puts an arm through MacLeod's and Robert's, and they start to walk off, looking like the trio from 1696.]

GINA - So? Are you going to give me away?

MACLEOD - [beat] I can't wait.
 

BACK to transcript.

 

SCENE THIRTY-ONE

The replacement Ming vase was NOT broken in the original shooting script.

 
METHOS - [smiles and lifts a small BOX with a toaster in it.] You keep it. I hate the water.

[He tosses the keys to MacLeod. And OFF MacLeod's smile--]

[FADE OUT.]

[END OF SHOW]
 

BACK to transcript.

 

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