SEASON THREE
Episode 18: Testimony
Lines/Scenes from the DVD set's "Final Shooting Script"
that are different from the finished episode.
SCENE ONE
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MacLEOD - What could be simpler? [beat] Maybe explaining to a couple thousand people at the track why you're not dead. |
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SCENE TWO
(In the shooting script, this scene was not intercut with the cafe scene.)|
INT. AIRPORT – CUSTOMS LINE – SAME TIME [Anne, carrying a small overnight, glances at her own watch. Any minute now she'll be face to face with MacLeod. She's excited, apprehensive, distracted and doesn't hear...] CUSTOMS OFFICER - Madame? [off Anne's look] Your passport? [A beat -- Anne suddenly realizes he's talking to her.] ANNE - Sorry, I'm meeting someone, and I was just... Passport. Right. [She fumbles to get her passport out.] |
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SCENE THREE
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MacLEOD - Getting a phone call is one thing, seeing me is something else. |
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SCENE FOUR
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[ANGLE - The doors as they bang open. The Security Guard exits, running interference for a gurney wheeled by two medicos. Tasha is riding on top -- Anne running along beside her. MacLeod stares.] [ANNE'S POV - HANDHELD - MacLeod looking nonplussed as they race towards him. She sees him, tosses off as they wheel right past him without slowing.] ANNE - Follow us! MacLEOD - Where?! ANNE - I don't know! [Then they're out the doors, gone. MacLeod stands a beat: this isn't exactly how he pictured their meeting. He turns, sees the man staring at him, open-mouthed.] MacLEOD - Like I said. Complicated. [He hands the rose to the man and he's gone.] |
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SCENE FIVE
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INT. HOSPITAL – CORRIDOR NEAR EMERGENCY ROOM – DAY ANNE - [O.S.] Tasha? Is that your name? [A bustling hospital. The gurney rolls into view, Tasha writhing on top, trying to nod her answer, biting her lip in pain as Anne runs beside, probing Tasha's abdomen.] ANNE - Okay, Tasha, stay with me on this. Is the pain worse? [off Tasha's nod] Where... here? [She probes. Tasha gasps, writhes in sudden pain. Anne frowns. Something weird about this.] ANNE - Hang in there, we're gonna get you some help real fast. |
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SCENE SIX
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ANNE - One second she's beside me in line, next she's on the floor, swear to God, Duncan, I don't think they even stamped my passport... [MacLeod is smiling gently. A beat -- then it hits Anne. She's talking to MacLeod. Alive.] |
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SCENE SEVEN
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INT. STORAGE ROOM – LATER – DAY [A modest-sized room in an old building. Displayed in glass cases or on the walls, we see an eclectic assortment of hundreds of mementos from MacLeod's life: his HIGHLAND REGIMENT TUNIC, a GOLD RING, a mid-19th Century SHOTGUN, a JADE BUDDHA, lacquered JAPANESE BOX, some BOOKS, a MAILED GLOVE, a HIGHLAND KILT.] [CLOSE - A HUGE CLAYMORE] ANNE - [O.S., dazed] Four centuries. [WIDEN - MacLeod holds the sword for Anne's inspection. He has been explaining the basics of Immortality to her.] MacLEOD - I know it's hard to accept. [beat] I thought coming here might help. [She hefts the heavy sword in wonder.] MacLEOD - My father's. I claimed it after he died. [He takes the weapon, replaces it on the wall. Anne approaches the Highland Regiment tunic.] MacLEOD - Battle of Waterloo. |
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SCENE EIGHT
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ANNE - I mean, not getting sick... MacLEOD - We get sick. We just heal. |
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SCENE NINE
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[Anne nods mutely, touches a gold ring on a velvet casing.] MacLEOD - Present from Bonnie Prince Charlie. [Anne shakes her head. It's getting to be too much.] |
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SCENE TEN
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MacLEOD - Medically speaking, I'd say you just had a pretty traumatic half hour. [They turn to go, but there's something on Anne's mind.] ANNE - Mind taking a detour? [off his look] I know she's not my patient, but I just feel... MacLEOD - Responsible, I know. [She kisses him, takes his arm, and they head out.] |
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SCENE ELEVEN
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[Anne is taken aback. Looks at MacLeod.] ANNE - She's just a kid. MacLEOD - A kid with big problems. [beat] You called the police? CHANDON - They're on their way. ANNE - I was wondering if I could see her. CHANDON - Of course. [beat] You saved her life. [turns and moves off] MacLEOD - I'll be waiting. [Anne nods and enters Tasha's room. MacLeod turns back to the corridor and watches vigilantly.] |
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SCENE TWELVE
| This scene was not in the original shooting script. |
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SCENE THIRTEEN
| These lines were not in the original shooting script. |
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SCENE FOURTEEN
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MacLEOD - Just like that. [writes quickly on a note, hands it to Richie] It'll take a day. You can stay here. |
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SCENE FIFTEEN
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ANNE - You carried the drugs, Tasha. You got busted. What can I tell you? |
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SCENE SIXTEEN
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EXT. RUSSIAN STEPPES – 1750 – DAY [PAN UP to find MacLeod, heavily dressed, on horseback. He's squeezing a goatskin water bag into his mouth. As he finishes drinking, straps the goatskin back to his saddle -- MACLEOD'S POV - Bohdan on horseback, fifty yards away. A giant Cossack in fur vest and boots, mustache framing his broad peasant jaw like a rope -- he's so ugly he's charming.] MacLEOD - [calls out] I'm passing through. I don't want trouble. [Bohdan breaks into a broad, gap-toothed grin. He shakes his great head, draws his saber -- and charges.] MacLEOD - Have it your way. [draws his own saber and charges] [WIDER - THE TWO FIGHTERS as they meet. Bohdan grins wings with powerful blows that MacLeod blocks. They circle, jockeying for position. Then MacLeod makes an unexpected move--] [CLOSE - BOHDAN'S SADDLE as MacLeod slips his saber under the saddle-strap, slices -- Bohdan's saddle is loose. As his horse bolts, the surprised Cossack sails off, lands heavily on the ground.] [CLOSE - BOHDAN as he pushes up on his elbows, still bewildered and finds MacLeod's saber at his neck. He looks up to MacLeod, who stands over him.] MacLEOD - You can stop, or you can die. Your choice. [Bohdan stares at him a beat, open-mouthed... then to MacLeod's surprise, he laughs -- a gut-wrenching roar.] MacLEOD - What's funny? [Bohdan roars again, clambers to his feet, gasping.] BOHDAN - By God, you unhorse a Cossack! You beat Bohdan! Nobody beats Bohdan! [Beaming, ignoring MacLeod's sword completely, he grabs MacLeod in a huge bear-hug, squeezes him painfully.] BOHDAN - Come to our camp tonight! We feast! MacLEOD - How? Your horse ran off. BOHDAN - [grabs MacLeod's horse's reins] Then we go on yours. [MacLeod crooks his hands to hoist Bohdan onto his horse, gritting his teeth with the effort.] MacLEOD - If he doesn't drop dead. [MacLeod follows him up, and they totter off.] |
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SCENE SEVENTEEN
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[There are shouts, hands go quickly to sabers. As a large Cossack reaches for MacLeod -- Bohdan slips off the horse, lands with surprising agility on his feet and swings, double fisted, knocks the man sailing.] BOHDAN - He's my friend. You fight him... you fight Bohdan first. [He's not expecting any takers. There aren't any.] |
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SCENE EIGHTEEN
| These lines & scene were not in the original shooting script. |
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SCENE NINETEEN
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KRISTOV - Anyone who can drop Bohdan on his rump deserves a celebration. [Bohdan roars, slaps MacLeod again with his meaty hand as they move back to the fires. They pass the man Bohdan knocked down. He is still out cold.] MacLEOD - What about him? BOHDAN - He's fine. He's my brother. |
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SCENE TWENTY
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BOHDAN - The Kazatska! |
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SCENE TWENTY-ONE
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[He's drowned out as the music starts -- no backing out now. He crouches and starts, awkward at first, one leg then the other, going faster... he's getting the hang of it. He grins, lifts his arms -- no hands. The Cossacks go wild. As he stands -- Bohdan lobs him a vodka bottle and the clapping starts. MacLeod shrugs -- no way to avoid this either. He upends the bottle -- sucks it down to rhythmic clapping. He's still sucking as he topples over backwards, out cold, lands with a thud to wild cheers.] BOHDAN - He'll make a Cossack yet! |
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SCENE TWENTY-TWO
| These lines were not in the original shooting script. |
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SCENE TWENTY-THREE
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MacLEOD - [with a sense of foreboding] And there are always enemies, aren't there. [Kristov smiles and gallops away, over to a pocket of men. Bohdan rides up to MacLeod, grinning.] BOHDAN - Come, we ride together! |
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SCENE TWENTY-FOUR
| These lines were not in the original shooting script. |
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SCENE TWENTY-FIVE
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[MACLEOD'S POV - The village wall and a peasant family cowering there: a man, a boy, women and children. They're trapped by a Cossack -- it's Bohdan. CLOSER -- The peasants -- the man falls to Bohdan's sword. A brave teenage boy raises a pathetic staff to ward it off. As Bohdan is about to bring his sword down -- MacLeod knocks it away. As Bohdan stares in surprise, MacLeod turns to the stunned peasants behind him.] MacLEOD - To the forest! RUN! [Most of them do. MacLeod turns back to Bohdan -- the giant has a puzzled, almost hurt look.] |
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SCENE TWENTY-SIX
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BOHDAN - Kristov says we can't. MacLEOD - You don't have to listen to him. [Bohdan shakes his great head, a man of simple faith.] BOHDAN - He leads us. [troubled] You are my friend. It would be wrong to kill you. |
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SCENE TWENTY-SEVEN
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[MacLeod looks at the carnage around him and what has happened. A small boy still cowers near the wall. MacLeod reaches down.] MacLEOD - Come, I'll take you to safety. [He swings the boy up behind him. He turns and rides away.] |
BACK to transcript.
SCENE TWENTY-EIGHT
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RICHIE - I never figured it turning out like this. If there was any way to change what happened... MacLEOD - I know. But there never is. |
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SCENE TWENTY-NINE
| These lines were not in the original shooting script. |
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SCENE THIRTY
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EXT. KRISTOV'S HOUSE – NIGHT [Two of Kristov's thugs, RAZIN and STENKA, are exchanging smokes in the entranceway. As Razin reaches in his pocket for a match--] MacLEOD - [O.S.] [in Russian] Light? [Razin turns -- MacLeod's fist takes him squarely on the chin. As he drops, Stenka pulls a squat machine-pistol from his jacket -- MacLeod grabs it, hammers him against the wall with it. Stenka goes down. MacLeod tosses the gun into the bushes and goes for the door.] |
BACK to transcript.
SCENE THIRTY-ONE
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INT. KRISTOV'S HOUSE – HALLWAY – SAME TIME [As Kristov moves down the halls of the great house, Fyodor hurrying at his side, gun in hand.] KRISTOV - Get to the country house. We'll take care of Tasha later. [NEW ANGLE as they turn a corner and come face to face with MacLeod.] MacLEOD - That's an optimistic thought. [A beat as they stand there, no one moving.] |
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SCENE THIRTY-TWO
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EXT. KRISTOV'S HOUSE – COURTYARD – NIGHT [As MacLeod enters, his sword out, ready to face Kristov... there's a figure kneeling on the stone, head down, leaning on his sword, exhausted. A beat -- Richie slowly lifts his head, manages a weak smile.] RICHIE - I won. MacLEOD - I could tell. |
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SCENE THIRTY-THREE
| These lines were not in the original shooting script. |
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